Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Monday, February 4, 2019

Flashback Film Review: Fantastic Voyage 1966

Film: Fantastic Voyage
Year: 1966
Director: Richard Fleischer
Writer: Harry Kleiner (screenplay)
Stars: Stephen Boyd, Raquel Welch
Genre: Science Fiction
Fun Fact: To create a swimming effect, the cast was suspended from wires and shot at double speed, which was then played at normal speed.

Made in 1966, Fantastic Voyage joined the genre of exploratory science-fiction movies inspired by the Space Race. Only, this voyage didn’t lead to the final frontier. It turned inward.

Set vaguely in the 1990s, but with no attempts to make the world or it’s political issues look any different than the 1960s, the movie follows Soviet scientist who defects, and in so doing he nearly dies. A team of scientists rushes to serve their country and science by getting miniaturized and going into the scientist’s body to blast a blood clot with a laser.

Of course, the voyage goes wrong quickly. They end up off course and forced to travel through delicate and dangerous parts of the body where they find themselves under siege from antibodies and corpuscles. Also, the entire crew may not be trustworthy.

The plot is straightforward and predictable while also being full of holes. The characters are more types than people -- the handsome hero, the dutiful scientist, the possibly mad scientist, the sexy assistant. The movie even tries to weigh in on Cold War fears and vague political issues, but isn’t at all successful.

That said, this is still in a worthwhile watch over 50 years later. Directed by Richard Fleischer, known for Doctor Dolittle, Conan the Destroyer, 2000 Leagues Under the Sea and Soylent Green, Fantastic Voyage delivers the promised fantastic visuals. Many of the set pieces and sound effects are reused from other productions and showcase a great deal of imagination. The visual effects may not be much to look at by today’s standards, but the production goes to great lengths to create colorful, varied, intricate scenery for the various parts of the body. Even though the effects have little basis in reality, the film took home two Oscars for these efforts, one for Art Direction and another for Visual Effects.

The trip into a human body fresh, though very fictional, look at scientific developments. Space was an exciting new place to explore, but it had been well covered by science fiction of the era. Audiences hadn’t yet experienced 2001: A Space Odyssey or Star Wars, but they’d seen plenty of alien monster movies and space exploration. Fantastic Voyage explores a future of medical advancements and what might be possible someday.

Fantastic Voyage also serves as the basis for many future miniaturization themes in media. A military official refers to this as “inner space” exploration. That phrase would later become the title of a 1987 film starring Dennis Quaid, Meg Ryan and Martin Short. The idea of “inner space” travel plays out in TV shows and movies like Futurama; Family Guy; The Simpsons; Sabrina the Teenage Witch; Honey, We Shrunk Ourselves and more. The film also spawned a novelization for Isaac Asimov and as well a several comic book adaptations.

Fantastic Voyage may not be the greatest classic sci-fi film ever made, but it holds an important place in the development of the genre and the use of visual effects. It’s also worth a watch because there have been several high-profile attempts to remake it. Less than a decade ago James Cameron was in talks for a remake, and more recently Guillermo del Torro has considered taking on the project, which could be quite the visual treat.

Monday, March 5, 2018

Women's History Month 2018: Alice Guy-Blaché

Alice Guy-Blanche : published in the U.S. before 1923 and public domain in the U.S.
Alice Guy-Blaché
Source: Wikimedia Commons
The Oscars celebrated 90 years last night and featured several notable female nominees, but the film industry and women in film date back much further than 1929. In fact, women have a much richer history in film than most awards shows would have us think.

Starting out as a secretary to French film-industry innovator, Léon Gaumont, Alice Guy-Blaché became probably the first female film director and producer. Barbra Streisand called Guy "a French film pioneer who invented the director's job."

Guy certainly was a pioneer for film as a whole as well as women in film. She practically invented the concept of going on location. She was one of the first people to make narrative fiction films. She made action movies with female protagonists. She even made films with color tinting and used Gaumont's Chronophone, which was an early way to sync sound with moving pictures.

Guy was born in France, lived in Chile for a time, went back to France for school and eventually went to work for Gaumont. It was under his employ that she discovered moving pictures and asked for permission to film her first story, The Cabbage Fairy, on the back patio of Gaumont's studio. Filmmaking came naturally to Guy, and she set to work making new films and creating techniques as she went.

Not long after hiring Herbert Blaché to work as a cameraman, Guy married him. The pair moved to America in 1905. She had created over 1,000 films at that point. Her husband headed up Gaumont's New York office, while Guy became one of the first women to start her own studio. She began producing a film a week and made her husband president of her studio so she could focus on the work. He resigned shortly after this and started a rival studio, but the pair continued to work together.

Guy innovated in all aspects of filmmaking. She cast diverse actors, featured interracial casts, invented many early special effects techniques and coached her actors to present natural, rather than over-the-top, performances. Guy is quoted as saying, “I put signs all around my studio that said 'be natural'—that is all I wanted from my actors.”

She made her last film in 1920 as WWI began to slow the film industry. After she and her husband divorced, she returned to France where she worked primarily as a writer and film lecturer but never made any further movies. She came back to the States with her daughter in 1965 before passing away in 1968. During her later years, Guy worked on a memoir after realizing her contributions to film were not widely known.

Much of Guy's work has been lost, but her impact on film has not gone unnoticed. While she isn't widely known outside of film circles, Guy has been receiving more and more recognition for her many achievements. The Director's Guild of America posthumously gave Guy a lifetime achievement honor in 2011.

While presenting that award, Martin Scorsese said, "It is the hope and intention of the DGA that by presenting this posthumous special directorial award for lifetime achievement, the Guild can both raise awareness of an exceptional director and bring greater recognition to the role of women in film history."

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Flashback Film Review: Fantastic Voyage 1966

Film: Fantastic Voyage Year: 1966 Director: Richard Fleischer Writer: Harry Kleiner (screenplay) Stars: Stephen Boyd, Raquel Welch Ge...